4/14: A paper by Joseph Klett and myself is out now online ahead of print publication. It’s about noise music and why we should take interaction and performance seriously. You can find it here or, if it’s paywalled for you, here. Happy Monday!

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4/3: An op-ed I wrote just came out in the Minneapolis Star-Tribune. It’s based in part on the work I did for this essay and another that will come out over at Narrative.ly this summer. Thanks again most especially to Venus for letting me share her story. She is still in the midst of the appeals process; if you feel so moved, you can contribute to her legal fees here.

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2/20: In Baltimore at Easterns. Work.culture 2.1. This time, with badges.

Who’s a real artist? In America, the critic and the curator, the gallerist and the buyer all drop hints. But the final judge – the one that can finally make or break you – is the tax man.

2/15: The Audit of Venus.

I wanted to find out more about the State of Minnesota’s audit of Venus DeMars the moment I heard about it. Last fall, I went to meet Venus right before she and her lawyer sent their final appeal to the Department of Revenue. I wrote about it, and here it is, for you.

The load got a lot lighter when the appeal paperwork went in. Venus has been working hard, and has done some amazing things: she’s been playing solo and full band concerts, just premiered a new performance work with support from a State Arts Board grant at the Soap Factory, and tonight (!) a new solo show of her drawings opens at Rogue Buddha in Minneapolis. She expects to receive the ruling on her appeal this spring.

It’s been a real privilege to hear Venus and Lynette’s story, and I hope I tell it well. Thanks also to John, Beth, Emily, and Marianne, all of whom took time to speak with me about the case, taxes, and art as a business during my visit.

Read the story.

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Launching now: Open Book, a series of pamphlets for print and screen. Old writing, new writing, paywalled writing, other people’s writing. Sounds and images. We’ll see.

Other people have spoken more eloquently about academic writing, its problems, and its relationships to issues of power, inequality, and access than I will. For the moment, with records pressed on our own and public projects carried out by force of will and sites like aaa…rg.org on our team, let’s give it a shot.

New and old writing, updated periodically. Rolling out slowly this month with more to come soon.

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1/16: Just back from the W.A.G.E. Summit in New York, where an amazing team of board members and supporters (among which group I enthusiastically claim membership) hashed out the details of W.A.G.E. Certification. Expect to see a fee schedule and certification process rolled out this year, beginning in New York City. Sign up for updates here and join the coalition here. W.A.G.E. (Working Artists and the Greater Economy) demands payment for making the world more interesting.

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12/6: In Växjö, happily waiting out the storm at the CCS at Linnéuniversitetet. Heading next to Stockholm to talk on Monday, then points south. See you soon?

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Hey Chicago: I’m leaving. Thanks so much to Johannes, Terence, and Fiona; Jennifer, Will, and Betty; Kellie and Hannah; and David and Margarita. Hope to see you all again soon!

That’s what you get for stealing.

11/21: This happened:

11/18: On my way to Chicago, where I will be needing a lozenge come Thursday night. Will I be seeing you during SSHA, maybe at the session on “organizing symbolic power” at 8am Thursday? Too early? Maybe we can share lunch at the Cultural Policy Center at the University of Chicago. Really, still too early for you, lazybones? Surely we can snack together at the Culture Workshop at Northwestern’s Department of Sociology. It’s not so far. Otherwise, hope to see you back at the Palmer House..