8/30: Joe and I wrote a paper. It was just nominated for the SAGE Prize for Innovation and Excellence. Better read it while it’s hot.

8/26: Morgan Mercer asked Works Progress, Sean Sherman, and me 77 questions about Hand-in-Glove, a convening on the contexts and conditions of artist-led culture across the country that will meet this September in Minneapolis. You can read her interview, complete with lovely portraits, here. Hope to see you at the Soap Factory.

8/26: A paper by Clayton Childress and myself on the uses of a useless credential (the MFA in creative writing) is now available at Professions and Professionalism for you to enjoy.

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7/27: I wrote a review of Menger’s Economics of Creativity and it’s out now in Organization Studies here. Hit me up if you can’t see it.

*Midway through I talk about a movie. Not sure how the typo / film renaming thing happened; never saw page proofs. I’ve asked them to fix it in the online version.

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7/2: in Athens for EGOS (above, philosopher Alexander Nehamas on velvet elvises). Hope to see you here or at ASA / JTS in Chicago later this summer.

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6/11: Happy to say that’s my signature on an advance contract from Stanford for a book based on my dissertation research!

4/28: Later this week I’ll be at the Yale Center for Cultural Sociology’s annual conference, where I’ll comment on papers by Andy Cohen and Håkon Larsen. See you there.

2/22: Heading to Easterns this week. I’ll be presenting on a great panel with talks by Steven Dubin, Cara Zimmerman, Anne Bowler, and myself and comments from Vera Zolberg on Saturday at 3:30. Hope to see you there.

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2/2: First day of work – for the next couple of years I’ll be a postdoctoral researcher in the Department of Social and Economic Geography at Uppsala University. The ceiling outside of my office is International Klein Blue, which I choose to accept as a sign of good things to come.

1/4: A while back I made a webpage for new writing, old writing, paywalled writing. It was simple. I put a title on it: Open Book. I thought that over time that would be what I would aim for: my academic production as an open book, easily accessible to all. I thought of it as a set of pamphlets for print and web: something simple.

I’m attracted to little books, cassette tapes, zines. Why wait for a perfect binding? All of these traditions come out of one urge – the urge to say something, do something – an urge that I think many of us understand, and that the academic publishing model actively works to suppress.

A little book can be a pamphlet, full of spit and vinegar. But it can also be a zine, or a comic, or a 7” lathe-cut. Or a snapshot.

At the American Sociological Association’s annual meetings this year there were two moments, in two rooms, when I wished I could have invited some friends to join me. The first, at the Junior Theorists Symposium, was a full room and a small panel of young theorists with short remarks on Theory with a capital T. The second moment, at ASA proper, was the Coser Memorial Lecture. These talks together were at the heart of my experience at ASA this year, were what I wanted to take away with me, to share. I wanted a snapshot of those talks.

Why bother with a snapshot? Snapshots are quickly made and just as often quickly forgotten. They’re fast and dirty and deteriorate quickly. But some last, and they’re the reminders we turn to again and again. Portraits tell of an era, but snapshots tell us about a specific time and place, and they do it in the vernacular.

So here it is, to all and anyone. I asked the speakers in those two rooms if I could reproduce their talks, and they have graciously agreed. It’s a snapshot, for you.

Keep reading.